Stabbed Scarpia, she places a crucifix on his breast … I could cite numerousĪ work deeply rooted in Italian culture. Puccini himself, whilst composing the work had asked his librettists toĪccentuate that aspect of the drama. Which inspired it, one is stuck by the importance that religion plays in it. Pierre Audi: Yes, one should first say that when you compare The huge cross is a sign of the importance that religion has in your production – and more specifically, the collusion between religious authority and political power that is personified in the character of Scarpia… Religious theme because, as its name indicates, there is the statue of an angel Note that the castello was still connected to the The Castel Saint-Angelo to set the action in a wretched and abandoned place,Ībove which hung the cross. With the execution scene, it is more of a conscious choice: We chose to abandon What it was before it became a Christian symbol. Here again, it was natural for theĬross to be transformed into an instrument of torture, because originally that’s Is the one in which Cavaradossi is tortured. Until it reverted back to the cross that constitutes its very essence. Interesting to me in Act I to go back to the source and stylise the church Pierre Audi: Regarding the church, the parallel was clear:Īll churches are built around a cross – the arms form the chapels and theĬentral shaft, the aisle which leads to the crucifix.
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